Baghdad bob’s cultural dancers

Bloged in News on the islands by ROK Tuesday September 11, 2007

A friend of mind commented this morning while getting some breakfast that the comments made by our lustrous governor Benigno R. Fitial to be similar to Baghdad Bobs comments during the desert storm conflict.

Comments like “ They are illegals”, “ We’re processing them and they will soon be deported”, “ they deliberately destroyed their passports”, and you would think this is the type of comment made by our favorite clown from Taotao Tano. I must say I hope this was a wake up call to congress and everyone up on the hill, to the caliber of personality that is running the show in the CNMI.

I have to give props to press secretary Charles P. Reyes Jr. for doing his job, but I really have to re-quote him from the same article, “ We respect their freedom of speech but don’t misrepresent the truth.” Sorry Charles trying to do damage control after about half a month from the event is one thing, but everyone heard the Governor say what he said and not what he meant to say.

On another story from Variety, it is reported that the Philippine authorities are now keeping an eye on new Filipino nightclub dancers in the CNMI. Apparently under Philippine law, Filipinos are not allowed to work abroad as nude dancers but only as “cultural dancers”… I have to admit there are some real ignorant people out there in the world. But did these people just figure out these girls were stripping in these so-called adult club establishments. It seems with the recent public light on the labor case problem with Kings and Moonlight, people are coming out of the wood works to protest against it. When for years everyone knew how these establishment works and what happened in them. There was no mystery to what went on there, and what the girls do.

You know what still, if the Mama-san from Moonlight and Kings is smart, she should start naming off names of all the local politicians, lawyers, prominent members of this fine government who frequent these establishments, and enjoy the company of the “cultural dancers” in the private rooms.



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